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Sleep, Engine Sleep . Mapstation


staubgold 11
2000. cd . dl . lp

With "Sleep, engine sleep", his second solo release, Stefan Schneider provides a beautiful collection of minimal pulsing rhythms, fragile melodies and delicate sounds. The seven tracks on this mini album show a very intimate musical language simultaneously recalling Chain Reaction, Cluster and "clicks and cuts".

“Stunning release by ‘To Rococo Rot’ member Stefan Schneider after his highly acclaimed solo debut on London's Soul Static Sound label. The sound of 'Sleep, Engine Sleep' has already moved-on from its predecessor. Gone is the fixation with cold, almost machine-like interpretations of minimalism. Instead, the sound of ‘Mapstation’ has been infused with warmth, fuzz, pulsating rhythms and above all intimate melodies that retain a unique ambience and contain a kind of crack-dub that would not have sounded out of place on the recent Scape sampler. Very nice indeed.” (Boomkat)


In 1999 Stefan Schneider (To Rococo Rot, Kreidler) discovered the possibilities offered by the arpeggiator mode of his analogue synthesizer, directing patterns of random notes to the oscillators to create unpredictable pulses, distortions, superb disorder.

To approximate the spontaneity and chaos of real life, Schneider decided to take a step back as composer and let the machine make most of the musical decisions.

Soon, the resulting simple basslines began to seep into Stefan's occasional DJ sets - at the time mostly a blend of electronic sounds (1950's - Detroit techno) and a capella versions of reggae 12" singles - and finally turned into a complete live set.

In early 2000 the owner of notable London-based label Soul Static Sound, Darryl Moore (D), asked Stefan to record a self-titled mini album, which was released a few months later during a UK tour with Vladislav Delay. On the strength of this recording Stefan was approached by minimalist electronics label Staubgold, who later relocated from Cologne to the German capital of Berlin, and their fertile partnership lead to three consecutive albums between 2001 and 2003.

On 'A Way To Find The Day' (2002) Schneider decided to explore his take on contemporary reggae music (he considers it a form of electronic music) in a collaboration with singer Ras Donovan. Introduced by their mutual friend Bernd Jestram of Tarwater, whose studio expertise both had previously relied on, Donovan and Schneider later continued their exploration of uncharted territories with “Version Train” (2003), which featured abstractions of their previous set in the Jamaican 'versioning' tradition. Despite the fact that tracks like 'New Direction' or 'Stand me Stand' were obviously carried by Ras Donovan’s plaintive voice, Schneider never intended to compete with the genre’s Caribbean originators, but instead pursued his very own imaginary and decidedly non-authentic take on reggae music.

In late 2003, another fruitful alliance saw the light of day, triggered by a remix request by Leeds musician Meriel Barham (a former member of the Pale Saints who had already released a stunning album on Cologne-based label Karaoke Kalk as Kuchen), a request Stefan rejected in favour of a collaboration based on sending each other musical sketches on mini disc. After two years of postal exchange Meriel and Stefan finished their “Kuchen Meets Mapstation” album at the Tarwater studio in Berlin.

“Version Train” and “Kuchen Meets Mapstation” were followed by plenty of live shows and a tour all over Europe, Siberia and Algeria.) The album ‘Distance Told me Things to be Said’ was released on Scape, and contributed to the Jukebox Buddha compilation.